아침을 먹고, 산책을 했다. 어제 밤에 약을 먹어서 침을 삼킬 때 마다, 칼 넘어가는 느낌이 덜하긴 했지만, 그래도 컨디션이 아주 좋지 않았다. 이 날엔 비바람이 너무 세차게 불어가지고 우산이랑 나랑 함께 날라가는 줄 알았던 날이다. 그 와중에 Warner Bros. Discovery Copenhagen 건물을 발견했다. According to Wikipedia, Warner Bros. Discovery, Inc is an American multinational mass media and entertainment conglomerate headquartered at 230 Park Avenue South in NYC. 뭔가 익숙하게 느껴지는지 뭔지 몰라서 찾아봤다. 아침 6~7시부터 출근하는 부지런한 사람들이 많다. 특히 폭풍우가 치는데 자전거 타고 출근하시는 분들은 진짜 존경스럽다.
The founder of the Glyptotek, the brewer Carl Jacobsen, filled the galleries of the museum with world-class French sculpture. But it was his son Helge Jacobsen who was a passionate collector of French painting, including works by Dogas, Monet, Morisot, Cezanne, Gauguin and Van Gogh. This gallery presents some of the Glyptotek's masterpieces from 1870-1925.
The Birth of a Movement
In 1874 a group of Parisian artists decided to exhibit their works together in protest at their rejection by the Salon, the city's official exhibition venue. The group, which included Degas, Guillaume, Monet, Morisot, Pissarro, Renoir and Sisley, became known as the Impressionists. Their works represented an entirely new kind of painting in which light and colour were the principal elements. They often worked outdoors, since this provided the best conditions for observing changing light, colours and movement, whether in the open landscape or amongst the teeming life of the city. The style was characterized by vibrating brushstrokes, thick layers of unmixed pigments and unconventional angles and views.
New Directions
The 1880s and 1890s were witness to a flood of artistic expression, both in dialogue with and opposition to Impressionism. The leading figures of the movement, Cezanne, Gauguin and van Gogh, all embarked on new paths of their own. Van Gogh's painting became expressive in the extreme, Gauguin moved towards cloisonnist works in bold colours, whereas Cezanne chose the more intellectual approach. Bonnard developed a decorative style of painting with a high degree of intimacy, whereas Toulouse-Lautrec made his mark with depictions of Parisian life in the 1890s. European painting took many new directions, and was embraced by a rapidly changing art market. The Salon no longer had a monopoly on good taste.
Under the lemon trees
나는 이게 제일 좋았고, 그저 황홀했다. 선명하지만 따스한 색감이 나를 평화롭게 만들었다. 이거 보고 나서 여기 오길 잘했다는 생각이 들었다. 역시, 명불허전 모네...
나의 마음의 영원한 원픽 예술가.
모네 작품들 이렇게 있는데 저 Marble sculpture 또한 아름답고 경이로웠다.
반 고흐 작품
Pink Roses
내가 갔을 때 Paul Gauguin Special exhibition 이 있었다.
The French artist Paul Gauguin is one of the most famous figures in Western art history. He is often associated with cloisonnist works in bold colours with motifs ranging from France to Tahiti. But the story of young Gauguin, who started out as a Sunday painter with one foot in the Impressionist camp, is a less familiar chapter of the artist's life for many. Yet it was from the mid-1870s to 1885 that started to mature as an artist - also in Cpoenhagen where he lived from 1884-85. To celebrate the museum's recent acquisition of Gauguin's Snow in Copenhagen (1884) this focus exhibition presents a number of key early works by the artist connected to Denmark by motif, exhibition history or provenance.
After failing to make his name as an artist in France, Gauguin joined his Danish wife Mette Gauguin and their five children in Copenhagen. Here too he was unable to support himself as an artist, and had to earn a living teaching French and as a tarpaulin and horse cloth salesman.
His experience of Denmark went from one of optimism and a strong urge to paint to bitterness and loneliness. "I hate Denmark profoundly," as he famously wrote. The time he spent in Copenhagen was, however, to prove crucial, and when he left the city and his family just six months later it was with a new sense of authority as a painter. This did not, however, mark the end of his relationship with Denmark. Gauguin's wife Mette was an enterprising woman, more than capable of balancing family life and business. Her good connections and business acumen ensured that many of her husband's works were exhibited and sold in Denmark. Several of these are now in the Glyptotek's collection, one of the best Gauguin collections in the world largely thanks to the museum's former director Helge Jacobsen, son of the museum's former founder Carl Jacobsen and a passionate collector of Gauguin's works.
Garden in Snow
Dronningens Molle, Osterbvold
The Quen's Mill, Sstervold
(...)
Despite making artistic progress, Gauguin's dissatisfaction with Denmark increased: "Incidentally, in two months' time I will either have left this world behind or returned to Paris to live as a labourer or vagabond, anything whatsoever rather than suffer this vile country. The Danes!"
뭔지 모르겠지만 쓸쓸하기도 하면서 연두색 색감으로 따스함을 나에게 주는 그림.
나한테 이 사진 보내달라고 했는데 정신이 없어서 앚기 못 보냈네. 곧 보내야 겠다. :) Gauguin 작품 앞에서!
대리석을 이렇게 정교하게 했다는 것 자체가 너무나 대단하게 느껴졌다. 뭔가 축하하는 거 같기도 하고, 위로하는 거 같기도 하고. 인간의 능력에 대해서 다시금 생각하게 되었던 조각상들이었다.
미술관 안에 저렇게 큰 야자수가 있다. 밖에서 봐도 청량해 지고 그저 좋지만, 저기 안에서 물소리 들으면 더 좋다.
Landscapes and Nature Studies
At the end of the 18th century nature came to the fore as a focus of art and culture. This coincided with the emergence of modern science and new academic disciplines aimed at mapping the world, such as geography, geology, biology, meteorology and astronomy. Landscape paintings united observations of nature with the aesthetic ideals of Romanticism and an approach to life based on the emotions.
The model studies on display here reflect the art academy traditions of the mid-19th century. At the art academy in Copenhagen students began with freehand classes, copying drawings and etchings. After this they made drawings based on plaster casts, before progressing to the advanced level of life drawing.
Artists had to master the portrayal of the human body in order to paint historical, biblical and mythological scenes. Until the early decades of the 19th century, the only naked models allowed at the academy were men, but in 1822 Professor Christoffer Wilhelm Eckersberg initiated a refrom permitting the sue of female models. The studies from a class with a live model in Jun 1843 exhibited here reflect a new approach to model studies.
In the first half of the 1800s the powerful position of the aristocracy was challenged by the rise of an upper-middle class in Denmark. This crated a new market for art, and many Danish artist seized the opportunity to cater to the tastes of this new affluent class with individual portraits and family paintings.
Taking the traditional portraits of the aristocracy as their ideal, many members of the bourgeoisie wanted to own paintings of family life and domestic interiors by Denmark's leading artists. Depictions of these popular motifs found their way in the homes and collections of private buyers. This gallery shows a range of portraits from different periods. The interests of the bourgeoisies in portraits and family paintings continued until the late 19th century. The founder of the Glyptotek, Carl Jacobsen, also commissioned portraits of this family, such as Laurits Tuxen's portrait of Ottilia Jacobsen in the next gallery.
Girl with the dead bird 였던거 같은데 너무 생생하게 묘사해서 대단해서 찍었다. (물론 모든 작품들이 대단하지만 .. )
Light and Colour at the Turn of the Century
This painting is a striking interpretation of the group portrait. Ten young men are gathered for an evening of pipe smoking, card games and music. The scene is set in the young law student and future councillor of state and mathematics professor Christian Jurgensens's study. Jurgensen can be seen sitting on the left with a cello. The painting might look life a snapshot of a bourgeois interior, but the details have obviously been carefully staged by the artist, who is also present to the left of the window, leaning over the table and casting the largest shadow. The painting is a perfectly executed rendition of the interplay of light and shadow, which forms a motif in its own right.
The naturalism and impressionism of French art at the end of 19th century captured the imagination of Danish artists, influencing their choice of motif, their way of seeing the world, and the techniques they used.
By experimenting with colours, light and reflections, artist created atmospheric, evocative depictions of visible reality with a focus on nature, people and interiors. Their paintings are characterized by the use of obvious brushstrokes and expanses of colour to create shapes and shimmering light effects as they are perceived by the human eye. This was a contrast to traditional academy art, with its ideal of smooth surfaces and harmonious colours. The Skagen painters and the generation of Danish artist working from the 1880s to the beginning of the 20th century were at the forefront of the naturalistic art of the period.
작품 제목과 저 작품이 너무 찰떡이라서 찍었다. 사랑하는 사람과 함께 있으면 계절에 관계없이 언제나 봄이 아닌가 싶었다.
(...)
Middle-aged body seems to be pensive in thought to the very tips of its tense toes. Rodin made different version of the figure in different sizes. A larger version can be seen in the museum garden.
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